Tag Archive | sewing doll clothes

Easy Separates in Pink

For this blog I’m using separates that I’d previously made for other “looks,” except for the skirt. The nice thing about separates is that you can mix and match and make whole new outfits, which is what I’ve done here. The pink top came with one of my American Girl dolls. The skirt is a plain rectangle, or Simplicity 3551.

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The last time I saw my eight-year-old granddaughter she made herself a straight skirt using this heart fabric. This was her first project for herself. I finished the seams for her using my serger, but she was able to do everything else herself. She has the talent to put together looks; she is a fashion-forward girl. She has the perseverance to sew. She is able to sew straight lines. I wish I had a picture of her in her skirt; this is what she looked like a few years ago.

She loves pink, so I figured she already had other pink items to go with the skirt, but she didn’t. After purchasing some pink tennies for her, I found similar pink tennies for American Girl. I figured I might as well whip up this doll skirt and send it to her with the shoes.

There was one challenge with both skirts: the printed hearts didn’t line up on the (cheap) fabric, even if I pulled and stretched the fabric. I’d wanted the hearts to follow the hemlines of both skirts. I had to re-cut both of them slightly to get them to look accurate. Both skirts have a casing for the elastic waist that is created by folding over the top of the skirt. Threading the elastic with a bodkin tool, shown here, is simple.

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I have already featured this bag in Separates Have Two Polka Dot “Looks.” This vest is a cute experiment using this funky white fabric with Simplicity 2296.

This blog has demonstrated how easy it is to create a look with several simple items. Little girls like wearing separates; I’m guessing they enjoy dressing their dolls in them as well.

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sparkle pink

Polka Dot Circle Skirt

I have had fun styling Grace, the prettiest doll that American Girl has created so far. She is my third doll with freckles. She’s one of the few AG dolls with substantial lips. I wish I could say I’ve had as much fun sewing this skirt for Grace as I’ve had dressing her. Since I’m committed to including my sewing failures and challenges in each blog, hang onto your seats, my friendly sewists. This outfit that appears to be a success has been one long frustration.

Since saddle shoes don’t go with many outfits, I jump at this opportunity to use these navy and white ones. In addition, I’ve become a polka dot “freak,” and I can’t wait to use this fabric, dark/navy blue and a weird color of green that is almost turquoise. In spite of the goofs I end up making with this outfit, I pursue the finish line.

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This skirt is cute, but not as cute as the original pattern. (Usually, I like my version better when I use someone else’s pattern, but not in this case.) I’m going to post a version of this skirt pattern.

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I had originally planned to make the version of this skirt with the tulle slip underneath. You can almost see this version in the little box on the lower section of the box, but here is a better photo. By the way, I recently found small rolls of tulle at Wal-Mart and Joann’s that are 6 inches wide by 40 yards or more. Tulle for dolls is much easier to handle this way on a small roll. The pattern for the slip that goes underneath is made of fabric cut like a circle skirt, but shorter than the outer skirt; then a gathered length of tulle is attached to the bottom of the slip. This slip ends up peeking out a couple inches longer than the skirt.

Unfortunately, I have trouble attaching white tulle to white cotton. This step is cumbersome; I keep losing the gathered tulle off the edge of the cotton slip; I have difficulty seeing the white on white (tulle on cotton), and I don’t like the way the pieces looked sewn together. I scrap the slip for now. Here’s another type of peeking slip that I have done in the past. I will work more with slips in the future.

I go on to the skirt, and I have problems with this as well. The waistband is a bit too tight. I either need to cut the waistband larger or make smaller seams at the ends of the waist band. I remove all the stitching (“in the ditch”) and recut the waistband and attach it, this time with more care to fit it on the doll before my final steps. Here’s a photo from a slightly different angle.

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As I iron the skirt and clean up the pieces of thread from the old stitching, I accidentally pull out a thread from the fabric weave and leave a tiny white mark on the skirt. At this point I’m ready to throw the project away. I certainly can’t sell the skirt like this, but I love the fabric too much to toss it.

I have planned to use my favorite Heritage blouse pattern to go with this skirt, but since I messed up the skirt, I use a blouse that I have previously featured. If I decide to remake this skirt, I’ll remake the same blouse at that time. While I iron the blouse, I notice a light spot near the bottom hem, so I wipe it with a wet rag and dry it with the iron. Somehow, while fixing the spot, I pick up two dark pink spots from my ironing board cover or my iron or the rag. I am always so careful, but now I have pink spots on the blouse. AND THE ARE IRONED IN!

Do you ever spend hours sewing and end up with NOTHING? LOL. Mistakes can happen to the best of us. And one of the purposes of this blog is to show that all of us—or most of us—make mistakes when we sew.

I happen to have a set of bows on hand. Fortunately, the green one matches the skirt polka dots. Then I make a scarf to tie around Grace’s 1955-styled ponytail. The scarf fabric is a soft polyester rayon blend. I iron and hand-stitch a rolled hem on every side. I comb Grace’s hair before dressing her in her skirt and blouse, so she isn’t a wrinkled mess for her photos. Voila! Grace is ready for her high school sock hop.

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Saige Dresses for Success

I loved making this dress. I want to rave about Matilda’s Closet who designs and distributes this pattern in PDF form. Although this pattern is on the complicated side (I didn’t know how to put it together without reading the directions), the pattern directions were easy to follow and so were the photos.

A closeup of Saige's dress with a large collar and pleats down the front

Since this is a close shot, I’ll interject a note about these buttons. I have a beautiful collection of buttons, and I have more pink accessories than I could ever dream of using. But I was surprised that I had no tiny pink buttons, except for buttons with four holes. I prefer two holes so I used these. You might notice that my sewing stitches on the buttons are all horizontal. No matter how you stitch your buttons, I suggest that all buttons be stitched in the same direction. This way, the precise direction of the thread adds to the design. In addition, the stitches look better if you overlap the button threads as little as possible.

I love these little hoop earrings (or demi-hoops) that are made by 2 Sisters Sew Crafty. These earrings are classy like plain hoops can be, but the ends of them are straight so that they fit into the doll’s pierced ear and head. I think I got the pearl bracelet from Carpatina awhile back. I don’t see it now but the site has some pretty jewelry.

Here’s a full shot of the dress that only looks good with long hair that is pulled back or off the neck due to the size of the collar.

Full view of this dress for success

The two pleats above the waistband and the two below the waistband are simple to create. The pattern pieces are marked with notches on the pattern edges. The marked fabric pieces are folded so that the notches meet, creating a fold for each pleat. This same method is used at the skirt part of the dress. When the top and skirt are sewn properly to the waistband, the pleats line up. If you look at both these top photos of the dress, you can see the pleats. If you go to the Matilda’s Closet pattern, you will see other photos of this dress. The pleats are much easier to view on the dresses made of solid fabric.

A view of the dress off the hanger reveals more of the construction. These attractive tabs are inserted into the side seams.

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The side zipper (four inches long) can be spotted below. I also hand-stitched a strip of one-inch bias tape to cover the seams of the wrong side of the waist band. When I can, I keep the inside of my doll clothes tidy. In general, both finished and covered seams hold up better than unfinished seams if a garment should need laundering.

Off the hanger with view of zipper and liner band

I haven’t used other patterns by Matilda’s Closet, and I don’t know her personally. I usually favor “vintage-styled” doll dresses, but I adore this dress pattern.

I originally planned to try out patterns by a few doll clothes designers before creating my own. But I’m having so much fun sewing that I’ve gotten sidetracked. I’ve come across various patterns in PDF form, all of them good in one way or another. I’m impressed by the pattern pieces, even the ones that are hand-drawn. I enjoy looking at dolls styled by designers, bloggers and AG lovers on Instagram. I love American Girl (and Madame Alexander), and I’m having a great time styling these beautiful 18-inch dolls.

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angel moon

Vintage Holiday Jumper

If you’re like me, you might be unimpressed when you peruse the doll clothes pattern catalogs at the store. Have you noticed how badly some of the dolls wearing the completed sample garments are styled? Often, the sample garments don’t look like the seams were pressed during construction, or the dresses are too large. My own doll clothes turn out better than the clothes on the pattern envelopes that get little care when made.

Recently Simplicity Patterns partnered with some great doll clothes designers who have already shared their designs on the internet. If you get the opportunity, check out both Simplicity 1244 and 1245, each done by separate designers, both vintage inspired. Kit wears this jumper below that originates with Simplicity 1245.

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I love this jumper but I cannot say as much for the 1245 blouse. I had two issues with the blouse pattern, and both were collar/facing problems. The thin strip, referred to as a “facing,” did not allow the collar to be free at the back neck opening. Because the “facing” was so narrow, I could not get the back opening to look neat and professional. Furthermore, this same facing needed to be tacked to the inside of the bodice, and the necessary tiny stitches showed through at the front neckline. That was attempt no. 1.

With attempt no 2, I lined the blouse, instead of using the “facing,” but I still had problems with the back of the collar that does not hang free from the back opening. I wasn’t in love with the sleeves either, but that is personal taste. After removing the collar and making the blouse “collar-less,” I found that I’d set in one of the sleeves inside out. I had been using a beautiful white striped on white fabric that showed every small hole created by a mistake, and, unfortunately, I didn’t discover my sleeve error until I’d clipped the underneath of the sleeve seams. Rather than creating a new sleeve to go with a collar-less blouse and the other sleeve that I didn’t particularly like, I foraged through my patterns to find a blouse pattern that would hopefully work better with this jumper, and here it is from Heritage Doll Fashions at Pixie Faire.

By now I was tired of my white on white fabric and switched to this white pique. I had no problems with this blouse that I love except that I added one inch to the length. Incidentally, this is my favorite sleeve style, bar none. A short, moderately full puffy sleeve with a band around the bottom.

This beautiful jumper pattern is both practical and clever, but I got confused at a significant step, when it came to attaching the waistband lining to the inside of the jumper. After reading the directions and staring at the photo until I looked cross-eyed, I misinterpreted the directions, creating more work for myself. But once I understood the right way to construct this jumper, I was very impressed with how it is put together.

I love this jumper and I love the Heritage Doll Fashions blouse. And why shouldn’t I, when I spent a ridiculous amount of time on this outfit (while I watched Project Runway: Threads, where the children on the show seem to sew faster than I do). I won’t even admit to you how long it took me to make this outfit all together, but I love this look, which I’ll definitely repeat. And I will no doubt use the blouse pattern several more times in the future.

I like to show the back and the inside of my doll clothes whenever possible.

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The jumper and blouse together create two layers of velcro closures in the back. I used the whole width of the velcro on the right-hand side (instead of using half that width) to provide adjustment for the closure. I wanted to provide extra room underneath the jumper for a different blouse that might have much bulk. In other words, I can tighten or loosen the closure, depending on what blouse or top that Kit wears.

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Pink on Pink Ruffled Dress

I love this colorful dress, but while sewing it, I realized that I don’t enjoy gathering skirts that much. I will continue to make skirts that are gathered but this one has two rows of gathers, one on top of the other.

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For this reason, this dress was a challenge that required much patience. I tried to line up both tiers and gather them together, but—as you may guess—the ruffles lost their personality when lined up together. On the other hand, as careful as I was, after I’d attached the top ruffle to the bodice, I noticed that the bottom ruffle had unraveled away from the body (bodice), and there was no quick fix. I had to take everything apart and regather both tiers.

This pattern by Eden Ava Couture is influenced by vintage 1930s fashion. However, once I cut out the dress, I decided to use a different collar. I took the removable collar from a different Eden Ava Couture dress that I previously made, added it to this dress and sewed three buttons to the color.

I also trimmed the bottom of the drop-waisted bodice; I didn’t like the way it was cut. Let me say that I like the style of Eden Ava Couture patterns, and I admire anyone who is brave enough to create a pattern and offer it for sale. It’s like publishing a book. Credit goes to those who do. So far, my patterns are not ready for sale, so I don’t want to slam Eden Ava. You can go to Pixie Fair patterns and find other Eden Ava patterns and judge for yourself. I love the Vintage Silhouette Dress with the removable collar.

Here’s another look at this dress with a hat.

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I added the same hat that I often make. I can practically make this while I’m blindfolded.

Don’t you think these pink clogs are cute? They have a little push-in button that hooks the back strap to the shoe, making it easy to get dressed.

I always line my doll clothes whenever possible. Here’s a view of the inside of this dress and the Velcro fastener on the back.

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I think that this 1/2-inch double-folded bias tape on the edge of each ruffle creates a nice effect. In this case, I was able to use some printed (pink checked) bias tape that I found in my personal collection of ribbon and tape.

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